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SUMMARY:Belonging In Opera: The Potential of Operatic Spaces Today\, Distinguished Visiting Scholar Dr. Naomi André
DTSTART:20260318T213000Z
DTEND:20260318T230000Z
DTSTAMP:20260210T201007Z
LAST-MODIFIED:20260220T193352Z
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LOCATION:Umrath Lounge, Umrath Hall, Washington University in St. Louis, St. Louis, Missouri 63105
DESCRIPTION:\nFor many\, the opera house conjures images of a past glory that has faded in importance and relevance. Yet even though its stodginess might seem out of date\, today operatic spaces are being transformed in multiple ways that speak directly to our current realities. As the canonic repertory is performed in thoughtful and provocative productions\, the people involved with opera (performers\, directors\, administrators) are expanding the way familiar stories are being told. Additionally\, the types of narratives being portrayed include inventive and ground-breaking themes and situations. The most compelling opera companies are presenting traditional operas in novel ways along with creating paths for innovative newer works. A key element in opera today is for the audience to see something that connects to who they are and represents a wide range of experiences and situations. \n\n\n\nIn this talk we explore these themes that set the groundwork for models of shadow operatic cultures and engaged musicology. This presentation will also include discussions of Winnie: The Opera (Ndodana-Breen/Wilensky/Vundla) and Fire Shut Up in My Bones (Blanchard/Lemmons).  \n\n\n\nNaomi André is the David G. Frey Distinguished Professor in the Department of Music at the University of North Carolina at Chapel Hill and Professor Emerita at the University of Michigan in Afroamerican and African Studies\, Women’s and Gender Studies\, and the Residential College.  \n\n\n\nThis event is open to the entire WashU community and the public. \n\n\n\n\nLearn more and register here.\n\n\n\n\n\n
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