The Tongue and The Lash, by composer Damien Sneed and librettist Karen Chilton, imagines the conversation between James Baldwin and William Buckley following their 1965 debate. In this chamber opera and centerpiece of the 2026 Belonging in Opera celebration, the men spar over the meaning of racial freedom in America, maintaining both their dignity and convictions. This opera invites us to reflect on whether, as a nation still grappling with deep divisions, we can preserve the art of civil discourse.
A round-table discussion, Staging Baldwin and Buckley: Why Opera? Why Now?, inspired by The Tongue and The Lash, will immediately follow the performance. Moderated by Professor Adrienne Davis, this conversation will bring together Baldwin scholars and music scholars to explore the intersections of race, opera, and civic discourse.
This event is open to the entire WashU community and the public. Advanced registration encouraged. Doors open at 6:30 PM, Show starts at 7:00 PM.
Please direct any questions and inquiries to cre2@wustl.edu.